A tribute to “evergreen” ANR

 

Last week Akkineni Nageswara Rao (ANR) turned 85, an occasion to celebrate the longevity of the “evergreen hero” of Indian Cinema (Dev Anand, one of the other so called evergreen heroes, is really a caricature in the last few decades, whereas Dileep Kumar has stopped acting in films 15 years ago).

 

It is also a sad reminder that ANR is perhaps the last man standing among the golden oldies of those great Telugu movies of 1950’s and 60’s. To my knowledge, Gummadi Venkateswara Rao is the only other person who is chugging along. And, who would believe that Gummadi is 3 years younger than ANR. My father is great fan of ANR. So its natural that from a very young age I was made aware of many aspects of ANR’s films and his persona. Though I had a great liking and love for films in general and Telugu films in particular, in my younger days ANR’s films did not appeal to me as much as NTR’s or “Superstar” Krishna’s. In those years ANR’s films were also pretty formulaic (Dasari was director of most of those movies) and are not among his best.

 

In the later years when I had a chance to watch ANR’s great work in the 50’s and 60’s, I started admiring his acting prowess. It was then I started realizing the gigantic nature his achievements in the years when the Indian film industry itself was blessed with “one in a generation” actors such as NTR, MGR, Sivaji Ganesan, Rajkumar (Kannada), Prem Nazir (Malayalam), Uttam Kumar (Bengali), and Dileep Kumar (Hindi), to name a few. A case in point was his show in Devdas and Batasaari that apparently prompted the likes of Dileep Kumar, Uttam Kumar and Sivaji Ganesan to say “only ANR can better those performances”.

 

Still, it is only in the last 2-3 years that I have made acquaintance with many lesser known gems of ANR (thanks to my home theater system), when I started collecting Ghantasala’s songs in MP3 format. That exercize made me realize the sheer prolificity with which ANR delivered musical hits that had style as well as substance. There was a program in ETV-2 on September 20 (ANR’s birthday) in which the anchor recalled all major hits of ANR in chronological order. Between 1955 and 1970, ANR delivered 70+ major hits (needless to say, most of them are musical hits). Seventy-odd hits in 16 years in no mean achievement. Ask any of ANR’s contemporaries in Indian Cinema. Rajendra Kumar, considered as most successful hero in Hindi films, has 50-odd hits from 87 films. ANR acted in 140-odd films during 1946-1977 and delivered 92 hits, most of them with ANR in the kind of roles that Rajendra Kumars of this world can only dream about.

 

Even NTR, for all his talent and charisma, could not match ANR’s strike rate for most of his career (NTR’s golden patch, in terms of regular hits, began only with Adavi Ramudu).  The reasons are two-fold: 1) ANR is a great actor and was even better in choosing the right kind of production houses to work with, 2) NTR has not been so smart. ANR has always managed to be the first choice for leading production houses of that time, except Vijaya productions who had a multi-year contract with NTR. That’s why ANR is the hero in most of the films made by Bharani pictures (of Bhanumathi), Anjali Pictures (of Anjali devi), Prasad Art Pictures, Annapurna Pictures (ANR’s own production house in partnership with Dukkipati Madhusudhana Rao), Jagapathi Pictures, etc.

 

In contrast, NTR’s best was manifested only in films made by Vijaya Productions (Pathala Bharavi, Missamma, Gundamma Katha, Jagadeka Veeruni Katha, etc.) and his own productions (NAT productions) – Panduranga Mahathyam, DVS Karna, etc., or the films made by Pundareekakshaiah (his brother-in-law) such as Pandava Vanavaasam. Most of NTR’s films in 60’s and 70’s were made by new producers, and the results were disastrous. That’s why among NTR’s 320-odd films, one can not recall more than 30-odd good films (here I am not counting post-Adavi Ramudu hits that were height of gaudiness and overacting).

 

Since late 70’s, as mentioned previously, ANR’s films were more formulaic and thereafter ANR started acting in roles that befitted his age. A shrewd man he is, ANR had slowly eased himself out of films and was last seen in “Sri Ramadasu” in a small but important role of “Kabir Das”. ANR’s greatest achievement must be that he was able to hold his own position in spite of being no match for NTR in looks or physique or voice.

 

Finally, if I were to choose Top 10 of ANR’s best, the list would be:

 

1.       Devadas (need say any thing?)

2.       Moogamanasulu (ANR, Jamuna, Savitri, Godavari theeram, who is best?)

3.       Tenali Ramakrishna (I found ANR quite good looking in this film in spite of him sporting a pilaka; the movie overall is quite good any way)

4.       Vipranarayana (who says an atheist cann’t portray this role)

5.       Aradhana (ANR, Savitri, Songs, who is best?)

6.       Sudi Gundalu (a truly good off-beat movie, well ahead of its times)

7.       Dasarabullodu (ANR in a bubbly character, great songs)

8.       Prem Nagar (a wonderful depiction of  a great heart behind a Casanova life style)

9.       Premabhishekam (its not for nothing this movie was one of the biggest hits in the history of telugu films)

10.   Sitaramayyagari Manavaralu (again, ANR vies with Godavari theeram for the top spot)

 

P.S: There some better entertainers among ANR’s films (such as Iddaru Mitrulu), but the films listed above have showcased various hues of ANR’s talent.

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2 Responses to A tribute to “evergreen” ANR

  1. vinodekbote says:

    Hi, friend. First of all thanks for putting my blog on your blogroll. You have a nice blog yourself. I love reading your posts. Only recently I figured out how to comment here!! Keep writing.

    Vinod

  2. bhaskaraharsha says:

    I am a great admirer of Akkineni Nageswara Rao. I like the way he acts. He acts with his heart. He feels greatly what he is doing. The success of Nageswara Rao is attributed to his heart, ‘Manasu’ which is the hallmark of his acting. His words come from the region of his heart. And that is what Nageswara Rao is, the person who uses the region of heart in what he does. And therefore, his physique is/was never a hindrance to his fame.

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